These services include:

• Cuts traditional cost and time of road base construction by up to 50%
• Significantly cuts road maintenance
• Roads can be constructed using local materials
• Reduces labor and maintenance
• Resists water penetration, weathering and wear
• Increases soil density and load bearing capacity

As per rural, temporary and motor road construction, we initially start from road re-designing, then short term testing with our corporate monitoring system of quality control and finally whole project managing and scheduling through range of negotiable construction engineering support.

These engineering services are intended to secure our goals as the improving current exploitation parameters of roads, concrete blocks, units for underground construction, or other final products, as well the maintenance cost decreasing for newly built roads or other civil engineering objects. Serious amount of our efforts devoted to improving the level of construction in-city monitoring, dramatically affecting the final quality of the construction. Plus our monitoring is the crucial point into maintenance cost decreasing during the road existence or on the cost of construction project itself.

To understand Lev Leviev’s charitable nature, a person must first understand the man’s upbringing. From a humble upbringing in Uzbekistan, the Leviev family immigrated to Israel, where Lev had the job at a diamond polishing plant. With an unquenched desire for success, he built his brand around what he learned at the polishing plant and implemented some of the best business decisions the world has seen. What set Leviev apart from others would be the fact that he kept his community at heart when he amassed his wealth, and has given back generously,

Lev Leviev allocates $50 million a year to different charitable groups and institutions, including his own Ohr Avner charity, in which he named for his father. In conjunction to this, he is the president of the Federation of Jewish Communities of the CIS, the largest umbrella group of Jewish communities across the former Soviet Union. Lev Leviev’s philanthropic efforts do not just stay within the Jewish Community, as some would expect. He is a strong proponent of education, an apparent fact when considering he donates a sizable amount to the Museum of the City of New York, one of the most astounding museums in the modern world.

Lev Leviev is one that supports numerous charitable groups, something that we need in this world. In times of economic downturn, it becomes vitally important for philanthropists to exhaust their efforts for those in need. This is something that Leviev does, and has, for a number of years. Even in standing in the face of adversity, the Leviev Group is one that is dedicated to advancing society and giving a lending hand where needed.

Milcho Leviev graduated from the State Academy of Music in 1960 majoring in Composition under Professor Pancho Vladigerov and in Piano under Professor Andrei Stoyanov. As a student, he won the second prize at the International Competition in Vienna for his Toccatina for piano. His professional development as a composer began at the Drama Theatre in Plovdiv. He was appointed conductor of the Big Band of the Bulgarian National Radio after Emil Georgiev left office (1962-66). His vanguard ideas innovated the orchestra; pieces like Studia, Blues in 9 or Anti-waltz became a standard of a successful synthesis between music folklore and jazz, this synthesis being particularly pronounced in his music. From 1963 to 1968 he worked as soloist and conductor of the Sofia and the Plovdiv Philharmonic. In 1965, embracing the idea of the writer Radoy Ralin, he founded Jazz Focus ‘65, with which he toured actively till 1970, achieving great success for the Bulgarian jazz and winning prizes at the international jazz festivals in Montreux, Prague and Sofia. Among the most exciting pieces in the repertoire of Jazz Focus ‘65 was Blues in 10 and Blues in 12, as well as the arrangement of Paul McCartney’s Yesterday.

In 1970 he left Bulgaria for political reasons. Since then, he has lived and worked abroad and achieved professional acclaim at prestigious international music stages. He was allowed to perform in Bulgaria not earlier than 1980.

He worked as composer, arranger and pianist at the Don Ellis (1970-1975) Orchestra and the Billy Cobham Band (1971-77). He toured the USA and Europe; he was Music Director of Lainie Kazan (1977-80). He gave concerts and made recordings with John Klemmer, Art Pepper, Roy Haynes, etc. He toured Europe with Art Pepper (1980-82); at the same time he was one of the founders and managers of Free Flight, selected Combo of the Year in 1982. Since 1983 he has been music director of the Jazz Sessions at the Comeback Inn in Venice, California. He gave concerts in Japan with the bassist Dave Holland (1983-86) and organized solo jazz recitals in Europe (1985-86). He teaches Jazz Composition at the University of South California. He also gives master classes at the New Bulgarian University in Sofia.

He is author of symphony and chamber works; big band and jazz orchestra music, etc. In the 1960s he also wrote film music.

In 1987 he won the Dramalogue Prize for best music director awarded by the PCPA Theaterfest. His works and performances were recorded by Atlas Records, Alpha, Discovery, Balkanton, Columbia, Atlantic, ABC and others. Part of his works were published by Dick Drove Publications and the Bulgarian publishing house Nauka I Izkustvo (up to 1968). He won a prize at the National Jazz Educational Congress, the Grammy Prize for arrangement, the Honorary Gold Medal of the Académie internationale des Arts in Paris (1995). He was also awarded the honorary title Doctor Honoris Causa by the Academy of Music and Dance Art in Plovdiv (1995) and by the New Bulgarian University.